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haunting black-and-white visuals that hark back to German expressionism and forward to Coppola’s own Tetro
In the sequel
chills and gallows humour
along with deer
An Interview with Terry Lofton
Being There (#864) bruce campbell haunting black-and-white visuals that harkIn one of his most finely tuned performances, Peter Sellers plays the pure hearted, childlike Chance, a gardener who is forced into the wilds of Washington, D. C., when his wealthy guardian dies. Shocked to discover that the real world doesnt respond to the click of a remote, Chance stumbles into celebrity after being taken under the wing of a tycoon (Melvyn Douglas, in an Oscar winning performance), who mistakes his protgs horticultural mumblings for
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