A moor is not a mountain IX Paula Dunn painter capturing a moment in the

capturing a moment in the evolution of my practice before my work began to move towards the more atmospheric and expressive landscapes that many of you will recognise today

Waymaking is an immersion into the tears

Threads of Light (Over Moorland) captures the moment the sun slips behind the horizon and a quiet stillness settles across the moor

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Each work becomes a quiet mapping of place—not literal

A moor is not a mountain IX Paula Dunn painter capturing a moment in theIn this series of smaller paintings, Paula works with oils, cold wax, and embedded materials such as pigments and marble dust to create surfaces alive with texture and depth. Each piece emerges through an intuitive, exploratory process, where colour, mark making, and chance interplay freelypaint drips, solvent trails, and incidental textures become the starting point for the composition, guiding the work as much as the artists hand. These instinctive