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Her customers were museum shops such as LACMA
these functional planters have a hole in the bottom for drainage
and worked with clients such as Visa
These heavy
makers and designers
Annabel Wrigley, "Housetop Study 3", 2024 locallymade Her customers were museum shops21. 5 x 21. 5, Fabric, thread, batting This collection of new work demonstrates Annabel's confidence. In her second solo exhibition Wrigley re asserts her interest in color while allowing room for rich surface exploration. Hand stitched marks layer on top of machine quilted areas, highlighting the artist's concentration. Additionally some areas without top stitching at all allow the color to be the singular focal point. Surfaces become as much a
